Francesca Woodman, Selected video works, 1975-1978 (video still). Courtesy George & Betty Woodman & Marian Goodman Gallery, New York
Francesca Woodman, Selected video works, 1975-1978 (video still). Courtesy George & Betty Woodman & Marian Goodman Gallery, New YorkREPRODUCTIBILITAT 1.1
“Reproductibilitat 1.1” (Reproducibility 1.1) is an exhibition conceived from the basis of Es Baluard’s photography collection with the collaboration of collectors, public entities and international artists.
Its curatorial development sets out from the origins of photography and its uses to introduce us into an analysis of the environment and its transformation, based on two thematic axes – the portrait as a certificate of presence or exorcising medium of the self and others, and the urban and natural metalandscape. A history of perspectives, like that demanded by Roland Barthes, by way of a kaleidoscopic approach steeped in references, some well-known and others not so much, which will gradually mutate over six months.
The exhibition space is slightly modified due to its second movement and four works are added, giving a new inflection point to the project with the incorporation of Spanish artists (Aitor Ortiz and Marisa Gonzalez), new artworks like one presented in the last Venice Bienal (El Recorrido de la Totalidad, Paloma Polo) and classical works of the Photographi history like those made by Francesca Woodman.
